Crit – 3rd December 2019 Underlined – Areas to visit, things of interest. Bold Text - Reflections and insights Me: I have displayed in...

This vibrant and intriguing contemporary art exhibition explores the female-gendered relationship with the sea and seaweed. 'Sea Garden'...

Studio day experimenting with encaustics. Supports: circular conservation card. The circular support is not usual for me so challenges...

I have been giving some thought about how to make the best of my crit next week. If I am to present my work to date do I want to say...

Screen Print - Notes Making gestural marks: I made about twenty small drawings using ink, charcoal, pens, pencil, pastel and graphite....

Week of Hell '94 - Monoprint on paper - 422 x 592 mm (Tate, 1999) ‘Week of Hell’ is a series of mono prints which describe a week of...

Free writing. Notes on thinking and doing: Methods of working - Timeline · Making marks which felt intuitive to me, responding to the...

Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter – from...

The exhibition brings together many of the interests that have characterised Kiefer’s work for decades, including mythology, astronomy...

L-R Rothko, Monet,Yamashita Kikuji ( Deification of a Soldier ), Jeram Patel ( Untitled 1963), Ben Nicholson, Shozo Shimamoto (Holes 1954...

Notes on Tutorial Chris: Look up Punctum. Ref a point in the painting/composition which completes the work/a truth. Not sure if I can...

R.B.K. Howard Hodgkin 1969-70 Oil paint on wood 1091 x 1395 mm (Tate, 1997) R.B.K is a portrait of American painter R.B. Kitaj (Ronald...

Progression from drawings. Making marks initially using charcoal, pencils and biro. Responding to marks with oils. Trying to shift away...

Reworking into previously produced oils sketches. Collage and paint (below)