Notes on Burgson and Intuition ( not referenced yet/or grammar, spellchecked) According to Burgson our understanding of the world is...

CC: I’ve looked through the works you sent - are they all recent? JE: Yes the images are all recent. I intended to exhibit them at...

After a week of unprecedented changes in our lives it has not been a creative time for me or anyone. However, as always in my life it is...

Draft statement - unfinished Humankind has been painting with pigment for over seventy five thousand years from the cave paintings of...

Reading this... Halfway through in one sitting and so much which resonates. I decided to write some of my own words, in a painterly way....

Writing Task - Image - Seeing Viewing In terms of Mitchell’s taxonomy of the image I categorise my work as both graphic and mental....

Working on canvas and ply boards. 40 cm square and 31 cm square

You have questioned your own aesthetic choices and wondered if you needed to challenge it but you could see this as a valuable asset that...

Julie Ellis – Writing Task Object The physical painting is an object which we see in a unique way, a window into another world which...

War of the Corners – The Gallery at Plymouth College of Art Torsten Lauschmann’s War of the corners interact with referents from high and...

Responding to Cornish coastline (Wheal Coates) Watercolour works well as a transient medium for working insitu, responding to place....

Russian born Gabo 1890 – 1977, power of art pushing across social and cultural boundaries. The realist manifesto. Ground breaking...

Notes; Responding to texture Oil on mono print outcomes Limited pallet various tools and techniques Collage and over painting scratching...

Notes: Intuitive Mark making. Specifically without intention for final composition, representation or narrative. Attempting to remove...

Experiments: Playful ideas - thinking about how I could present my work in a non traditional sense. Responding to supports aside from the...

Going off the page. Introducing sculptural qualities/ encaustics. Line responding to colour. Pre-painting grounds.

Reflections on Crit and Tutorial There are two main questions which I have decided to focus on moving forward: 1. Aesthetics and the...